Exactly 1 year ago today I decided it was time to get back to my dreams of being a writer. I spent 15 years working as a photographer to pay the bills but deep down, I always wanted to get back to being a writer. The opportunity was there, I just had to take it.
I work for the oldest Entertainment magazine–American Cinematographer started in 1920. Yes, I am the photo editor but I do write the news portion of the magazine. After my father died, all I could think about was writing. In fact, all I could think about was writing about the paranormal investigation docu-series Ghost Adventures. All I had to do was pitch my story idea. What was the worst that could happen? If they said no, I would just go right back to the day-to-day of being the photo editor.
It seemed simple but I am an over-thinker. I had to have the perfect pitch. After all, I was basically asking the magazine permission to cover a reality series; we don’t cover reality shows. Being who I am, never doing things the easy way, I wasn’t even planning on pitching a normal reality series. I was pitching a paranormal investigation reality series.
My friends were actually shocked that I didn’t pitch something Star Wars related. But I couldn’t fully explain it without sounding like a crazy person (though my closest friends are used to my crazy ideas). Months prior, I had read Zak Bagans book, “I am Haunted: Living Life Through the Dead” but I was the one who wound up haunted; haunted with the idea of writing a story about this show. It had to be this show and it had to be at the right time. (Divine timing at its finest).
I searched through our magazine schedule and noticed that April 2016 was set as the digital issue. The Ghost Adventures guys use digital cameras. We had Batman v. Superman planned as the main feature. They were currently filming in Detroit. Zak went to film school in Detroit. I am from Detroit. Plus this was our NAB issue. The NAB show is held in Las Vegas. Three out of four of the Ghost Adventures guys live in Las Vegas. With all these synchronicities, it was clear that this was the perfect issue for my story.
So after weeks of pep talks from my friends and trying to get ahold of the show’s publicist, I was finally ready to make my pitch. I would talk about the evolution of their camera equipment from their documentary through twelve seasons of the show. My stomach was in knots. I was so nervous. I had convinced myself of all the reasons as to why they would say no but I had to do this for myself. So I walked into my managing editor’s office, I pitched my story and he said yes!!!
Yesterday, I was back at my Alma Mater, the University of Southern California. The School of Cinematic Arts (it was cinema-television 20 years ago when I was a freshman there) was holding a ceremony for the Haskell Wexler Endowed Chair in Documentary. I had the privilege of knowing Haskell and was honored to be there supporting his wife Rita as well as representing his ASC family along with other members and AC staff. When I went to check in, they had stacks of the American Cinematographer April Issue (which later became a tribute issue to Haskell and fellow ASC member Vilmos Zsigmond) sitting on the table for attendees. I saw some of my former professors and former classmates reading a magazine that contained my Ghost Adventures article.
It was so surreal to be standing there on the campus where 20 years ago I was a freshman who dreamed of becoming a writer and I was holding in my hands my published article. 20 years ago I was writing essays about cinematography and now I have published articles about cinematography.
I have yet to fully understand exactly why I had to write about Ghost Adventures but I am so glad that I overcame my fears, quieted my mind and pitched that story to my editor a year ago.